Archive for 2012

VENICE ART WALK AND AUCTIONS

Wednesday, May 16th, 2012

Taylor De Cordoba artists Kimberly Brooks, Frohawk Two Feathers, Kyle Field and Claire Oswalt are participating in this year’s Venice Art Walk and Auction, taking place May 19 and 20.

 

Kimberly Brooks | Mom's Friends Study, 2008 | Gouache on paper | 8" x 11"

Kyle Field | A Place in the Park, 2008 | Ink and watercolor on paper | 7 x 8.75 inches

Claire Oswalt | Doubled Over, 2009 | Graphite, paper, wood | 26''x36''x13''

Frohawk Two Feathers | Tales of Heroism, Part I (God Help The Enemy), 2006 | Xerographic transfer print on wood | 7.5" x 8"

This year the auction is being hosted by Google and includes artist studio tours, gourmet food trucks and live music. Tickets to the event can be purchased on their website.

Museum Tamal 26 Young Patrons Spring Fete Benefit

Tuesday, May 15th, 2012

 

Taylor De Cordoba would like to extend an invitation to celebrate the opening of a cultural institution dedicated to celebrating latin culinary history here in Los Angeles. Founded by Chef John Rivera Sedlar, Tamal 26 will become a great center for Latin cultural discourse here in Los Angeles. We hope you can join in the celebration!

Please join us for a young patrons spring fete benefiting the future

Museum Tamal 26

founded by Chef John Rivera Sedlar

A cultural institution dedicated to the celebration of Latin Culinary History

May 24, 2012

7:30pm – 10:30pm

1145 South Grand Avenue, Los Angeles

Cocktails & Hors D’oeuvres

$75 per ticket

Proceeds to benefit museum exhibitions

To purchase tickets and RSVP kindly email:

ypmuseumtamal@gmail.com

FROHAWK TWO FEATHERS solo exhibition “Every Winter Was A War,” She Said

Tuesday, May 15th, 2012

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Frohawk Two Feathers‘ solo exhibition ““Every Winter Was A War,” She Said” is currently on view at Heiner Contemporary in Washington DC.

Heiner Contemporary is delighted to announce Frohawk Two Feathers: “Every Winter Was A War,” She Said, a solo exhibition of work by the Los Angeles based artist. Featuring portraits on paper, the exhibition presents women warriors from Two Feathers’ imagined Frenglish Empire. Although female protagonists have always played an important role in the artist’s histories, this is the first time he has devoted an entire exhibition to them.

April 27 – June 9 2012

Click HERE to view the gallery’s website.

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CHARLENE LIU: New American Paintings

Wednesday, May 9th, 2012

Ellen Caldwell reviews Charlene Liu’s exhibition “Everywhere Close to Me” in New American Paintings

“In her third solo show “Everywhere Close to Me” at Taylor De Cordoba, Charlene Liu creates and mediates really special moments with her works on paper.  Using delicate cutouts, overlapping and woven papers, and sculptural pigmented pulpy constructs, Liu creates a world that is both delicate and daring.”

Click HERE for the complete article

HADLEY HOLLIDAY: Warp and Weft

Saturday, April 7th, 2012

Hadley Holliday
Warp and Weft
February 25 – April 7, 2012

Taylor De Cordoba is proud to present Warp and Weft, a series of abstract paintings by Los Angeles-based artist Hadley Holliday. The exhibition will run from February 25 – April 7, 2012, with an opening reception for the artist on Saturday, February 25 from 6 – 8PM.

For Holliday’s first exhibition at Taylor De Cordoba, the artist debuts a new series of acrylic paintings wherein she explores ideas of space and depth while referencing traditional craft. In striking shades of blue, Holliday creates psychedelic patterns of interlocking circles, which form arched, expansive spaces. The circles mimic overlapping lenses, with each section projecting a different depth of field and creating its own space within the whole. The effect of the pattern is dizzying but also serene, as the varying shades of blue evoke images of the infinite (both the sublime night sky and the mysterious yet inviting sea). Holliday references the history of abstract painting with a fluid style, seemingly pouring colors over the white of the canvas into lines, shapes and patterns. Here, the canvas’ negative space is as important as the color, which rather than staining the canvas, forms a thin film on the surface.

The show’s title, Warp and Weft is an allusion to the weaving, the ancient craft of making fabric by “interweaving” material into a series of right angles. In these paintings, the circles literally weave together into a pattern of geometric shapes. While creating this body of work, Holliday considered the mythology of weaving and the way in which the terminology has become associated with lofty themes of creation and change – spinning the thread of time, the fabric of the universe and yarn as synonym for a tall tale. By using one powerful color and repeating the simple circular shape, Holliday weaves a unique narrative, which invites the viewer into a meditative experience, not unlike the one Holliday enters during the process of painting.

Hadley Holliday lives and works in Los Angeles, California. She received her MFA from CalArts in 2004 and has exhibited at numerous galleries including Sam Lee Gallery (Los Angeles) and Solway Jones (Los Angeles). Reviews of her exhibitions have appeared in ArtWeek, The Los Angeles Times and Art LTD, among others.

FROHAWK TWO FEATHERS: Angeleno

Wednesday, April 4th, 2012

Frohawk Two Feathers is featured in the April 2012 issue of Angeleno, where he is highlighted in the “Men of Style” feature.

Umar Rashid, aka Frohawk Two Feathers, never planned on becoming a darling of L.A.’s contemporary art world. His intricate ink- and tea-stained war-themed works (produced in the downtown L.A. house where he lives with his wife, Michiyo Suda, and their daughter, 2-year-old Iroha) have attracted The New York Times, are repped by white-hot gallerist Heather Taylor and have been featured in exhibitions around the world. Up next? His first solo exhibition at a museum, taking place this summer at the Museum of Contemporary Art in Denver. Rashid’s bold, melting-pot fashion sense can be seen as an extension of his art, so it comes as no surprise that the 35-year-old’s most-loved pieces include an ethical fur raccoon tail from a Native American collective in Washington state. He favors vintage suits and a pair of metallic slippers he snagged on a trip to Dubai, and is quite fond of the traditional Japanese karate gi. While anything Paul Smith and Woolrich Woolen Mills tickles his fancy, it’s the old and quirky—feathered headdresses, Vietnamese police hats and even ill-fitting leather jackets—that make him happiest. “The sleeves are too short,” he says, pointing to his jacket. “But it’s my own personal style.”

Click HERE for the complete article.

HADLEY HOLLIDAY: Huffington Post

Thursday, March 29th, 2012

Hadley Holliday - Sun Vault

Hadley Holliday is featured in the Arts section of The Huffington Post,.

“Hadley Holliday’s works are heavy on the eyes, yet the borders and lines are crafted with youthful indulgence. While her new series at Taylor De Cordoba in LA is undeniably complex from a painter’s point of view, the overall impression of the work is effortless — as though the acrylic patterns were found in situ.”

Click HERE for the complete article.

In the Back Room: Hadley Holliday

Wednesday, March 21st, 2012

Gallery visitors always want to know what we’re hiding in the “back room”. Here’s a sneak peek…

Gestalt, acrylic on canvas, 78″x48″

Longshot, acrylic on canvas, 78″x48″

Sea of Joy, acrylic on canvas, 78″x54″

Wallflower, acrylic on canvas, 78″x 48″

HADLEY HOLLIDAY: Coagula Art Journal

Friday, March 16th, 2012

Coagula Art Journal

Art critic Mat Gleason reviews the exhibitions on display in the Culver City Arts District, including Hadley Holliday’s exhibition “Warp and Weft” on the Youtube channel for the Coagula Art Journal, calling them “excellent, mind-blowing abstractions.”

 

HADLEY HOLLIDAY: Refinery 29

Friday, February 24th, 2012

Hadley Holliday - Blissed-Out | 2011 | acrylic on canvas | 60" x 54"

Lilian Min previews Hadley Holliday’s exhibition “Warp and Weft” on Refinery 29.

When we hear the term “weaving,” we tend to think in terms of mats or baskets — not wall-hangings. But that’s the exactly what CalArts-trained L.A. artist Hadley Holliday’s intricately patterned acrylic paintings are. Woven. Sort of.

Each one builds on the idea of interlocking shapes and forms, and the end product is a serious sight to behold. Holliday’s handcrafted creations take one general color and, in a series of sculpted ripples, create abstract, fluid forms that force the viewer to confront positive and negative space, busy movement, serene reflection, mythical origins, and modern creation.

Click here to read the full article.