FROHAWK TWO FEATHERS: Crocodile Company, Part I. La Guerre Des Machettes Danseuses (The War of The Dancing Machetes)

March 7th, 2011

FROHAWK TWO FEATHERS: Crocodile Company, Part I.  La Guerre Des Machettes Danseuses (The War of The Dancing Machetes)

February 19 through March 26, 2011

Taylor De Cordoba is pleased to present Crocodile Company, Part I.  La Guerre Des Machettes Danseuses (The War of The Dancing Machetes), a new series of mixed media paintings and drawings by Los Angeles-based artist Frohawk Two Feathers. The exhibition will run from February 19 through March 26, 2011, with an opening reception for the artist on Saturday February 19 from 6-8pm. This is his third solo show with the gallery.

Frohawk Two Feathers continues to demonstrate his skill as a master storyteller, spinning tales of colonialism, imperialism and conquest with his wholly unique iconography. Blending his obsession with the history of conflict and pop culture influences from video games, films and TV shows, the artist tells a wartime narrative starring an imagined cast of fascinating characters. Using two classic traditions of both painting and map making, Two Feathers communicates a tragic, yet often humorous story that, through a slight of hand and bristle of the brush retell and reshape historical roles of race, class, and gender. Originally trained in photography, the artist uses elaborately staged photographs of friends and family as the source material for the final portraits on view.

As with his previous bodies of work, each series functions as a chapter in a never-ending tome. Set in 1789 in the Caribbean, “The War of the Dancing Machetes” is a story of assassination, slavery and the fight for power. Deadly clashes between the black ruling class and “The Crocodile Company” (the newly propertied “mulatto” soldiers), drive this story. While these themes of unrest are familiar in art history, Two Feathers approaches his subjects with a keen eye, creating a unique and memorable visual language. And as a viewer immersed in his storytelling, one cannot help but question whether the specifics come from the artist’s mind or straight from the history books. The artist loosely based this series on the actual “War of Knives” that was fought as a precursor to Haitian independence.

FROHAWK TWO FEATHERS: LA Weekly

February 17th, 2011

Frohawk Two Feathers: Some Enchanted Faux-Naive, by Shana Nys Dambort, February 17, 2011.

FROHAWK TWO FEATHERS: New American Paintings

February 16th, 2011

Known for his master narratives, vivid re-imaginings of imperial history, and playful revival of colonial portraiture, Los Angeles-based artist Frohawk Two-Feathers directly references a legacy of historical art while troubling it with the modern. His upcoming solo show at Taylor De Cordoba, opening this Friday, is no different.

EC: You’ve been telling the history of the Frenglish Empire, a fictitious blending of 18th century imperial England and France, for some time now and this show focuses on your reinterpretation of the Haitian War of Knives… How has your work changed since your last L.A. show?
FTF: Instead of the whole Haitian Revolution, I’m focusing on parts, like a wide-angle and zoom lens at the same time. I’m peeling back the layers so my audience can see more of the characters. I have more of a handle on how I want to present the image and I’m getting more comfortable with compositions. It’s a perpetual learning process trying to narrow things down to get to the more intimate history that I’m recreating.

EC: I know a lot of people focus on the narratives behind each character and portrait, but I continue to be intrigued by the framing devices you use. I noticed that you shifted from the smaller, elliptical frame to a much larger frame with a rounded top and angular bottom.  What made you switch to this new shape?

FTF: The new shape has multiple meanings. I like the shape first and foremost. The frame I use to make the outline came from a mirror, so it’s like people are looking at themselves when they look at my portraits. The shape also references a gravestone because everyone in the series eventually dies. Additionally, it references an Egyptian cartouche pattern, which is fitting since Egypt factors into the symbology and secret orders I reference, including the Company Crocodile……

Reframing History: In the Studio with Frohawk Two Feathers, by Ellen C. Caldwell, February 16, 2011.

FROHAWK TWO FEATHERS: New York Times

September 25th, 2010

Frohawk Two Feathers reviewed by Holland Cotter in The New York Times, September 24, 2010

“…that leaves only two last pieces to be accounted for, both fine-lined portraits in ink, acrylic and tea by the young Los Angeles artist Umar Rashid, who also uses the moniker Frohawk Two Feathers, and performs as Kent Cyclone. All I can say at first acquaintance is that the portraits, of fictional 18th-century personages from some Caribbean of the imagination, are terrific. If Mr. Rashid is as good a performer as he is a painter, he must be something. “


FROHAWK TWO FEATHERS: Group Show, New York

September 9th, 2010

EXHIBITION DATES:
September 9- October 16, 2010

OPENING RECEPTION:
Thursday, September 9th 6-8pm

PARTICIPATING ARTISTS:
Noel Anderson | Adler Guerrier | Arjan Zazueta | Carlos Rigau | David Antonio Cruz | Diane Wah | Frohawk Two Feathers | Jaret Vadera | Langdon Graves | Simone Leigh | Yashua Klos | Felandus Thames

ELSE group exhibition presents a selection of work situated in between the recognizable and indistinguishable. A combination of sculpture, painting, printmaking, video and installation bringing about various overlapping conversations and exploring the way we interpret cultural, religious and personal narrative in a way that gives the viewer a glimpse into something uncanny.

Co-Curators: Derrick Adams + Jack Tilton

FROHAWK TWO FEATHERS in group show at New Image Art

February 10th, 2010

Frohawk Two Feathers debuts a new piece in 2THEWALL, group show at New Image Art. On view through March 2.

FROHAWK TWO FEATHERS in group show at Kinkead Contemporary

February 10th, 2010

A drawing by Frohawk Two Feathers is on display at Kinkead Contemporary for the group show “Fuckheads: Portraiture for the Silicon Enlightenment,” curated by Angela Dufresne. The exhibition will be on view through March 20. More information HERE.

TAYLOR DE CORDOBA: L.A. Confidential

October 10th, 2009

The Gallerist: Native Angeleno Heather Taylor is part of the reason the Culver City art scene is alive and thriving. By Victoria Namkung

As the Co-Owner and codirector of the contemporary art gallery Taylor De Cordoba – which is part of the vibrant Culver City Art District on South La Cienega – Heather Taylor wears many hats. In addition to discovering new talent and representing LA artists such as Kimberly Brooks, Jeana Sohn, Claire Oswalt, Frohawk Two Feathers and Chris Natrop, Taylor throws some of the best opening parties in town (which are always open to the public). We caught up with the gallerist to talk art, fashion and food.

FROHAWK TWO FEATHERS: Oprah Magazine

July 28th, 2009

How to Start Collecting Art, by Cathleen Madwick

Oprah Magazine, July 2009

FROHAWK TWO FEATHERS: Brand X

June 19th, 2009

“The Shape Shifter: His Own Land” by Drew Tewksbury

June 17, 2009

Frohawk Two Feathers is a man at the nexus of many truths. On one hand, he’s an alchemist of visual art who turns dull history into golden narratives rich with beautiful subversion. On the other, he’s a performance artist who experiments with music, poetry and alter egos, including the psychedelic sexpot Kent Cyclone. Then there’s Umar Rashid, the mastermind behind it all who percolates the creativity that keeps his many artistic endeavors running…