Los Angeles Times   July 13, 2008 A New Cover Story by Lynell George. "In a new exhibition, "Cover Version" now on view at the Taylor De Cordoba Gallery, New York-based multimedia artist Timothy Hull asked about 20 artists from around the country to pick a favorite book and create a new, idiosyncratic cover image for it..."

Art Ltd.   July 01, 2008 Kimberly Brooks, Artist Profile by Kim Beil. "The paintings in "Technicolor Summer," Kimberly Brooks' latest solo show at Taylor de Cordoba, are shot through with vibrant bolts of color: jade, ultramarine and magenta course through the highlights and support the shadows in these paintings that feel like pages from a family album. Drawing again on the snapshot aesthetic that was central to the work in her last show, "Mom"s Friends," Brooks" new paintings invite the viewer to dive even further into the emotional experience of browsing through family photographs..."

Men.Style.com   June 27, 2008 Books, covers, etc. by Victoria Namkung. "On Saturday, L.A.'s Taylor De Cordoba gallery debuts Cover Version, a group show devoted to 20 artists' interpretations of the cover of their favorite books....The artists (including Michael Bilsborough, Jennifer Sullivan, and Frohawk Two Feathers) are all relative unknowns, but based on the work, they won't stay that way for long."

Flavorpill   June 21, 2008 "Cover Version: A Summer Reading List," by Shana Nys Dambrot. "Thematic summer shows are as de rigueur in the art world as summer reading lists were in high school, and now a new group exhibition combines the best of both. For Cover Version, some 20 artists are invited by curator Timothy Hull to reconsider the book jackets of their favorite tomes. Hull is a painter himself, based in New York, whose own work references both the written word and the act of writing itself in intricate, pattern-based paintings and drawings, and several of the participating artists fit well into the idiom. Frohawk Two Feathers also creates text-heavy work elaborately chronicling the histories of fictional nations, while fellow TDC Gallery-mate Ryan Callis favors attention-grabbing, graphic, composite imagery potentially ideal for creating a cover by which to judge a book."

	Artweek   June 01, 2008 "Claire Oswalt at Taylor De Cordoba" by Ashley Tibbits. "There can be no doubt of the artists's mastery with a pencil and knowledge of the human form, but Oswalt is not telling us "this is a person, this is movement" with her naturalistically rendered forms. Rather she relays quite the opposite, recognizing her control over hapless subjects."

	Flaunt Magazine   June 01, 2008 "The Rise and Fall of the Frenglish Empire, Part Four" by Frohawk Two Feathers

	Spaces Magazine   June 01, 2008 "Stills From A Foreign Land" by Rohini Wahi. "To gaze upon the languid work of Korean-born illustrator Jeana Sohn is to step into a surreal world where faceless girls battle with birds in the air, converse with crows in the woods and steal precious eggs in vivid colours of blue and gold."

	Style.com   May 09, 2008 "Summer Loving In The Golden State" by Victoria Namkung "Just in time for the warm weather (not that we're getting so much of that today in New York), L.A.-based artist Kimberly Brooks brings her dreamlike canvases to Culver City's Taylor De Cordoba gallery for an exhibit called Technicolor Summer..."

	C Magazine   May 01, 2008 "Living Landscapes" by Nathan Cooper. "Kimberly Brooks presents a series of paintings rooted in personal narrative. Technicolor Summer...depicts a family coming to grips with terminal illness by embracing the splendor of nature."

	Maire Claire   April 01, 2008 Kimberly Brooks included in "Artistic Vision," Marie Claire's art and fashion story.

	Oprah Magazine   April 01, 2008 "Small Wonders" by Alexis Soloski. "Jeana Sohn's dusky drawings of poker-faced girls in haunted fairy-tale settings..."

	Angeleno Magazine   April 01, 2008 "I'm Your Puppet" by Lucinda Graves. "The wood, twine and paper "people" (Claire) Oswalt positions against flat backgrounds bear an uncanny humanistic quality, prompting viewers to wonder, for example, one marionette-man falling out of his chair might be thinking."

	Discovery Magazine   April 01, 2008 Los Artistico, by Linlee Allen. "Funky gallery Taylor De Cordoba is a trendy hangout for the hip and happening."

Yoga Journal.com   March 28, 2008 Sasha Bezzubov and Jessica Sucher in Yoga Journal.com. "...The Searchers. Done by artists Sasha Bezzubov and Jessica Sucher, it captures a strand of Western spiritual tourism in India. The kind that you may be familiar with--the kind where sightseeing means ashrams, temples, and festivals. The type of tourism that seeks yogic, often guru-lead transformation, following in the footsteps of The Beatles, Ram Dass, Krishna Das, Elizabeth Gilbert, and countless others..."

Huffington Post   March 22, 2008 First Person Artist: The Art of Global Warmning by Kimberly Brooks. "...Since 2001, photographer Sasha Bezzubov has traversed the planet to capture on film the physical wrath wrought by the increasingly frequent natural disasters. In his breathtaking series "Things Fall Apart," Bezzubov large format photographs present mother nature's fury in startling detail. Devoid of human-presence, these images engage us in a reckoning with both nature and our lasting imprint upon her..."

	Papermag.com   March 17, 2008 By Linlee Allen. "LA's finest from fashion and art scenes alike flocked to the uber-cool art temple Taylor de Cordoba Gallery in Culver City for the much-anticipated opening of Claire Ellen Oswalt's "Trustfall" exhibit."

Metromix   March 04, 2008 "Something Wooden This Way Comes" by George Ducker. "Moving from her previous paintings into the realm of "sculptural drawings," Culver City artist Claire Oswalt has fashioned an armada of papery, puppety dolls invisibly mounted onto wooden backgrounds. The result is a low-tech but "fully functioning" three-dimensional troupe of girls. Also, be on the lookout for the self-explanatory puppet series "I fell in love" somewhere near the back of the exhibit..."

Los Angeles Times   February 29, 2008 A chapter from colonial times by Holly Myers "...The bulk of the story is told through drawings and paintings that mimic the conventions of colonial-era genres -- particularly portraiture -- while remaining wonderfully fresh and strange. The project is a peculiar one that manages to balance a number of unlikely qualities -- lighthearted and earnest, endearing and unsettling, humorous and scathingly critical."

Beautiful Decay   February 27, 2008 Review by Nisa Schoonhoven. "Upon entering the Frohawk Two Feathers show "In the Court of the Crimson King" we are drawn into a familiar yet strangely skewed world alluding to the all too familiar Western historical narrative of imperialism and conquest. The show, which is loosely based on the King Crimson song of the same name, is comprised of a series of stylized portraits that possess a certain Wes Anderson-esque aesthetic allure, as well as a charmingly hand written treatise describing the history of the "Frenglish" and the various exploits of a few prominent figures..."

	Flash Art   January 30, 2008 Miami 2007 review by Gae Savannah: "...for the knowing eye and tenacious scavenger there were gems to be mined, and sometimes even an artist unavailable at big venues was on tap in a lesser known gallery at an attractive price... At Taylor De Cordoba (L.A.) Melissa Manfull's sensitive drawings of minarets were priced at $1,400."

	Vanity Fair   January 26, 2008 Kimberly Brooks in Vanity Fair: The Versace boutique in Beverly Hills was the site an exhibition hosted by Versace and Vanity Fair to celebrate the artwork of Kimberly Brooks.

Artreview.com   January 23, 2008 By Caryn Coleman: "...In the major art district of Culver City (often dubbed the new Chelsea, with the nearly thirty galleries including the expanding Blum and Poe , Anna Helwing, and Suzanne Vielmetter, alongside hot emerging spaces like Fette's Gallery and Taylor de Cordoba), it's easy to do art rounds by walking - something definitely not associated with L.A..."

Art Scene   January 01, 2008 Heather Taylor interviewed for Miami '07 article by Annie Buckley. "Heather Taylor, co-owner of Los Angeles Taylor de Cordoba Gallery, and exhibiting in Miami for the first time this year at the Aqua Hotel, explains, 'There's something really retro about the hotel and it was interesting to see the artwork hung in what is basically a domestic space.' Taylor adds that, 'We really viewed the fair as an exhibition--a micro-version of our gallery transplanted on the east coast'"...

NY Arts Magazine   January 01, 2008 Timothy Hull talks to Dierdre Lawrence. "Dierdre Lawrence: Perhaps we can start by your telling me which images in Egypt Through Other Eyes you found most intriguing, or which theme. Timothy Hull: I can't remember an exact piece, well, maybe I do.... I remember being drawn to a poster about an exposition of Egyptian artifacts. I was fascinated with the idea of Egyptian artifacts being used as a type of spectacle or a latter-day cabinet of curiosities..."

	Los Angeles Times   December 02, 2007 Long Beach-based Ryan Callis was included in the article, "Painting Gets a Broader Brush", highlighting 45 painters under 45 by Christopher Knight. A segment of Callis' 2006 painting, How It Feels to be Something On (Trim Your Life Away), was reproduced on the cover of the Calendar Section.

	Elle Magazine   November 01, 2007 The Modernists, by Whitney Vargas "Five rising gallery owners steering L.A.'s exciting art scene, weigh in on what they buy and where..."

	Style.com   October 17, 2007 Lights, Camera, Fashion, by Linlee Allen. Taylor De Cordoba hosts a film screening and fashion event for Jesse Kamm's Spring '08 collection during LA Fashion Week.

Daily Serving: Sasha Bezzubov   October 08, 2007 by Micah Ganske. ""The Searchers" is a series of photography conducted by the collaborative duo Sasha Bezzubov and Jessica Sucher which investigates Western spiritual tourism in India. The project, which is currently on view at the Noorderlicht Photofestival 2007 in The Netherlands, developed from a year-long trip that the artists took throughout ashrams, retreat centers and pilgrimage destinations of India."

	Huffington Post   October 06, 2007 First Person Artist: Timothy Hull, by Kimberly Brooks. "This weekly column, "First Person Artist," features myself and other contemporary artists who will share their innermost thoughts on the creative process that culminated in a work of art or body of work. The following is a First Person Artist Interview I conducted with artist Timothy Marvel Hull."

	Los Angeles Times   September 21, 2007 Around the Galleries by Leah Ollman. "Charlene Liu's beautiful new works at Taylor De Cordoba are shot through with unease, ambiguity and the faintest whisper of danger."

	Beautiful Decay   September 01, 2007 Gallery Review by Sasha Lee "Despite the fact that Heather Taylor and Alex de Cordoba founded the gallery just a little over a year ago, the space is well on its way to becoming a prominent fixture in the contemporary art scene...."

	Andrew Schoultz highlighted in W Magazine   August 29, 2007 "On June 7th, W co-hosted the House of Campari Closing Night Event in West Hollywood with the Modern and Contemporary Art Council of Los Angeles County Museum of Art. Over 500 guests viewed ?Distinctive Messengers,? an exhibit of contemporary artwork by emerging Los Angeles-based artists..."

	New York Times Magazine   August 26, 2007 Sasha Bezzubov on New York Times Magazine Cover

	Artslant.com   July 27, 2007 The Intellectual Life of Lines by Nico Machida: "Intricate constructions of thin ink lines and lushly emotive landscapes with an almost baroque aesthetic co-habit the same compact space in Taylor de Cordoba's latest show. Under the compelling banner of Interconsiderations..."

	Vernissage TV: Melissa Manfull Interview by Slim K.   July 17, 2007

Art Forum.com   June 14, 2007 Review of Timothy Hull by Catherine Taft: "Timothy Hull's new paintings, drawings, collage, sound work, and scent meticulously revolve around representations of the early-twentieth-century European spiritualist G. I. Gurdjieff. Titled after the mystic's book LifeIis Real Only Then When I Am (1974), this body of work proves to be a study of a cult persona that stops just short of fanaticism..."

	Zoo View   June 01, 2007 Kimberly Brooks' portrait of Randa, the Indian white rhinoceros at the LA Zoo, is on the cover of Zoo View to celebrate the Getty Museum's Jean-Baptiste Oudry Exhibit featuring the painting of the Rhino Clara painted in 1749. For the first time, the quarterly will feature a painting instead of a photograph.

	LA Weekly   May 31, 2007 Must See Art by Amra Brooks. "The title of Timothy Hull's show is taken from a book by the mystic and spiritual teacher G.I. Gurdjieff. Hull is interested in the intersection of East meets West and spiritual and mystical ideologies, and he explores this symbolism in drawings, paintings and collage..."

	LA Weekly   May 17, 2007 Andrew Schoultz on the cover of the LA Weekly

	Lemonade Magazine   May 01, 2007 Artist Profile, Interview by Lucy Williams

	LA Weekly   April 19, 2007 Must See Art By Amra Brooks. "Mann takes vintage post cards and digitally alters them to create photographs that look like off-kilter vacation souvenirs. At times, he pastes the same figure over and over, creating a comical repetition, and at other times, the end result is a more disturbing, if not altogether more realistic, representation of a family trip..."

	C Magazine   April 01, 2007 by Leah Lehmbeck, "Based on photographs from the 1970's of her mother and her mom's friends, Brooks' new works portray women who migrated to California and consequently melted their inhibitions,..."

	JuliB.com   April 01, 2007 Mark Mann, Last Resort, Pick of the month...

	Juztapoz Magazine, Andrew Schoultz Interview   April 01, 2007 Interview by Caleb Neelon

	Los Angeles Times   March 18, 2007 by Valli Herman. "Brooks captures the era's sense of freedom and fresh power in compositions that feature bold '70s style...."

Huffington Post   March 02, 2007 By Leah Lehmbeck. "With Nancy Pelosi having taken her historic position at the rostrum and Hillary Clinton hitting the presidential campaign trail, we have undoubtedly entered a new era of feminism. The F-word is once again being bandied about, as is that perennial question, 'Can we have it all?' And it is thus no surprise to find that in her latest series, 'Mom's Friends,' the artist Kimberly Brooks adds a new voice to the debate..."

	Artweek   March 01, 2007 by Annie Buckley "Figures careen across canvas and wall, colliding in ecstatic explosions of red and blue, angles and curves, organic and man made..."

	L.A. City Beat   January 18, 2007 By Rebecca Epstein. This week, Taylor De Cordoba gallery presents Sasha Bezzubov's compelling exhibition about destruction. The accomplished art photographer and photojournalist...

Art Scene   December 02, 2006 Exhibition Review by Shirle Gottlieb. On exhibit here is an astonishing collection of new drawings and paintings that range in size from 30 by 40 inches to eight feet tall. Displaying strong graphic skills and using bright bold color, the 32-year-old artist infuses each work with enigmatic symbols or timeless metaphors drawn from sources as diverse as Greek mythology, Biblical prophesy, medieval illumination and poetic fantasy. It all underscores the delicate balance between man and nature...

Flavorpill Issue #196   November 28, 2006 From A-list gallery-goers to random passersby, Bay Area painter, muralist, and installation artist Andrew Schoultz has mesmerized viewers with his unique draftsmanship and surreal narrative symbolism. Intricate forms including tree trunks, elephants, ocean waves, wooden ships, weapons, and storm clouds occupy his sweeping landscapes and vistas ? all rendered using obsessively detailed structures made of thin, black lines that layer like folds of skin. Achieving a level of shade and contour that defies logic and patience, his jovial, folksy, and sometimes incisive humor shines through in every single piece.

	Lifescapes Magazine   November 01, 2006 Exhibition Review by Shana Nys Dambrot. The new series of paintings from Los Angeles artist Frohawk Two Feathers is the first chapter in an ambitious historical project in which the artist recreates stories of political and social upheavals and overthrows of empire that helped shape contemporary western society...

	Los Angeles Times   September 29, 2006 The art explosion By Suzanne Muchnic, Times Staff Writer "Frohawk Two Feathers, a.k.a. Umar Rashid, spins a narrative about colonialism and imperialism in paintings and sculptures at Taylor de Cordoba."

	Flavorpill Issue #184   September 06, 2006 Frohawk Two-Feathers' new paintings and sculptures wind through the outré secret lives of symbolic royalty, as his jaunty, strident draftsmanship and explosive palette tell a grand story all on their own.

	Angeleno Magazine   September 01, 2006 Calendar Top Ten: Frohawk Two Feathers

	Vernissage TV   July 21, 2006 By VTV correspondents Parichard Holm, Slim K and Gerold Wunstel.Taylor De Cordoba is a contemporary art gallery located in the heart of the Culver City art district in Los Angeles, California...Current exhibition is Kyle Field with ink and watercolor works on paper. Opening, Taylor de Cordoba, Los Angeles, July 1, 2006.

	Artnet, 25 More Bold Moves, Frohawk mention   July 20, 2006 Titled "25 Bold Moves," July 14-Aug. 13, 2006, the exhibition is organized by Simon Watson and Craig Hensala and located at 1224 Abbot Kinney Boulevard in Venice Beach, Ca. The curators have selected 25 artists, supposedly representing the best of emerging art in L.A....

	Los Angeles Alternative Press   June 30, 2006 Field's watercolor works on paper imply a harmonious balance amidst imagery that is both elegant yet chaotic. Unable to tell whether you are looking at a beach or a Candyland board, a forest or Emerald City, all you can do is stand back and soak it all in...

Flavorpill Issue #174   June 27, 2006 A recent addition to Culver City's thriving gallery scene, Taylor de Cordoba continues to show promise, presenting an exhibition of ink and watercolor works on paper by Little Wings frontman Kyle Field. Heady mixtures of abstraction and representation, his works use a warm, earthy palette to create ambiguous portraits with wry, confessional elements of text. The characters he presents inhabit a shadowy terrain between fantasy and portraiture and, much like his music, keep the audience continuously guessing...

	LA.com Weekend Picks   April 14, 2006 Taylor De Cordoba Gallery's inagural exhibition, Ryan Callis' "How it Feels to be Something On," may seem, um, under the influence. But the results look more like Rene Magritte than Jerry Garcia...

	JuliB.com Culver Pretty   April 13, 2006 This spankin' new space pops open on saturday, with its first installation by angelino painter ryan callis, title how it feels to be something on. (not to be confused with on something.) you might say it's a visual exploration of human issues sans the group hugs and donuts...

	Angeleno Magazine   April 01, 2006 Exploding geometric shapes of color that diffuse into seemingly endless pools of white or beige space attempt to convey themes of isolation, human contact and communication in Ryan Callis' paintings...